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The marimba is a reed instrument, and therefore the sound quality and pitch of the marimba are determined by the quality of the reed. Reeds are classified by their style as non-artificial, artificial and free reeds. For the marimba, non-artificial reeds are made from animal bones, and artificial reeds are made from a variety of materials. Artificial reeds are typically made from plastic, wood, rubber, and metal. Free reeds are usually found on flutes and are not suitable for the marimba. While marimba players may use non-artificial reeds, most marimba players prefer to use artificial reeds, as these reeds are less likely to crack or break.
The marimba is a free reed instrument with a unique sound. The marimba reed is held against one of the player's lips by a small cup-like device (the mouthpiece), with the player blowing across the cup-like device. The marimba has two main reeds: one is vibrating against the player's lips and one is vibrating against the side of the player's mouth. These two main reeds are not independent but rather work together. Moreover, the marimba is an inharmonic instrument, that is, the sound it produces is not the sum of two or more sine waves at different frequencies. A marimba player can produce notes that have a natural harmonics. There are 36 different notes in the marimba scale. The different sound quality of the marimba and its increased complexity require special techniques to play and master. The physical size and weight of the marimba make it difficult to play in a sitting position, although some players hold the instrument in their lap. The marimba is usually played in a standing position.
In the late 20th century, the marimba gained popularity in the United States, in part due to the growing appreciation for improvised jazz, but also because the instrument was easy to play and relatively inexpensive. Marimba players are often jazz musicians, and some jazz musicians' jobs include playing in bands. The marimba is considered a versatile instrument that can be played by a variety of instrumentalists; being a percussion instrument, it can be played by any instrumentalist who plays a percussion instrument.
The marimba has had a large influence on other instruments. It is the basis for the saxhorn family of instruments, the Marimba Saxophone (1910), the Marimba Saxophone (1930), the Marimba Saxophone (1940), the Marimba Baritone Saxophone (1941), and the Marimba Tenor Saxophone (1945). These were developed by F. H. Bardsley (1910), F. W. Morrison (1910), F. H. Bardsley (1911), F. W. Morrison (1930), F. W. Morrison (1940), and F. W. Morrison (1945), respectively. A similar development, which started from the early 20th century, is the similarly named saxhorn family of instruments, the Bakalar (1903), the Marimba Baritone Saxophone (1909), the Marimba Tenor Saxophone (1916), the Marimba Baritone Saxophone (1923), and the Marimba Tenor Saxophone (1924).
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